Q: A few of us at our college would like to perform stories around cultural differences similar to what you do in Tribes& Bridges and More Alike Than Not: Stories of Three Americans – Catholic, Jewish and Muslim. How do we get started?

A: If you are going to perform stories around race and issues of justice, be prepared for deep emotions to arise, yours and others. If you are going to work with others, besides all the difficult, nitty-gritty, normal collaboration issues of schedules and responsibilities, you will be faced with unique challenges precisely because we have been trained to keep quiet about issues of social significance.

First, talking about these issues often breaks many family rules. In order to survive, many families didn’t talk about what they’d been through. For example, after the Holocaust, the internment camps, the Boarding Schools, the Jim Crow mistreatments and lynchings, many parents enforced an unspoken, yet deeply felt, “No talk” agreement.

Speaking the unspeakable as well as even attempting multicultural colleagueship can feel like a betrayal to the people and communities from which we come. As you collaborate and discuss the care and nurturing of your audiences, you must do the same for each other.

Our hurts run deep. Tears will be shed; memories and, therefore, creation can be blocked; doubts will continually surface. We have to have a long and large love for our stories, our country and each other to keep going. Opening the wounds is never pleasant, but healing happens in the light of day.

However, open the wounds gently, gently, gently. Ground rules around support, communication styles and the like are essential. As in any relationship, talking out fears, limitations, preferences and visions beforehand can help make the uncovering process easier. Still, if you are hitting the true repressed veins of our individual and communal psyches, I would imagine your team will experience some of the things we did: fitful sleep, times of “I can’t do this,” and moments of incredible connection and freedom as we finally faced and spoke long-buried truths.

Good luck and let me know how I might support you!

This article may be reprinted when this full byline is used: Susan O’Halloran is a story artist, workshop presenter and keynote speaker whose work explores the complex (and, with Sue, entertaining) issues of social justice and valuing differences. She is an author of four books plus diversity curriculums, CDs and films. The Chicago Reader says O’Halloran “has mastered the Irish art of telling stories that are funny and heart-wrenching at the same time.” Find out more about Susan and her online classes plus download a free audio interview at: www.susanohalloran.com.